by
Maxwell Anderson
|
April 1954
and July, 1954 at Deertrees Theatre, Maine
Directed by |
Caroline W. Farnsworth |
assisted by
|
Helen Mears |
produced by |
John M. Goddard |
The Cast |
|
(Jimmey) MASTERS, the director (The Inquisitor) | John W. Putnam |
AL, the stage Manager | Leonard T. Weidner |
TESSIE,the assist St Mgr (Aurore) | Persis McMillen |
MARIE, the costumer | Jane Wilson |
GARDER (Bertrand de Poulengy) | G. Clayton Greene |
ELECTRICIAN |
Haward S. Houghton |
ABBEY (Jacques d'Arc) (Cauchon, Bishop of Beauvais) | Raymond P. Baldwin |
CHARLES ELLING (Durand Laxart) | |
MARY GREY (Joan) | Nancy Baldwin |
DOLLNER (Pierre d'Arc) | John C. Macone, Jr |
JO CORDWELL (Jean d'Arc) | |
QUIRKE (St Michael) (D'Estivet) | |
MISS REEVES (St. Catherine) | |
MISS SADLER (St. Margaret) | |
FARWELL (Jean de Metz) (Executioner | Currier Smith |
NOBEL (La Hire) | Gilbert M. Roddy |
SHEPPARD (Alain Chartier) | Alexander Ellis, Jr. |
LES WARD (The Dauphin) | William T. Wyman |
JEFFSON (Georges de Tremoille) | Barry Colt |
KIPNER (Thomas de Courcelles) | Kenneth D. Robertson, Jr. |
LONG (Dunois, Bastard of Orleans) | Richard F. Wood |
CHAMPLAIN (Father Massieu) | Brandoch Lovely |
SMITH (Thomas de Courcelles) | Samuel Hazard |
The Crew |
|
Stage Manager | Richard C. Metcalf |
Set Design | Barbara Bergemann |
Assist Set Design | Elizabeth Morrison |
Set Dresser | Ellise Newman Donna Whitney |
Book Holder | |
Call Boy | |
Lighting design | Hayward Houghton |
Costume design | Doris S. Hoar |
Props | Patricia Frankenberg |